Monday, September 29, 2025

LeDomduVin: Occasional Exceptional Wines!




Occasional Exceptional Wines!



I recently opened, prepared, and served these succulent wines for a private dinner. Definitely not your everyday wines! What a lineup! I'm definitely one of the luckiest sommeliers I know. 😁👍🥂🍾🍷

What makes these wines so exceptional and special is not only their taste, reputation, and high prices, but also their extreme rarity and scarcity. This rarity is not just a marketing ploy, but a result of the limited number of bottles produced, often due to originating from small parcels, unique growing conditions, or meticulous production processes. This thus explains why they are occasional, as it is better to keep them for special occasions. It's a privilege to even have the opportunity to taste these wines.    





NV Jacques Selosse Exquise Sec (RP04 - Disgorged December 2010) Champagne 


Jacques Selosse is a renowned cult Champagne producer, well known for pioneering grower Champagne with a bold, terroir-driven style. Celebrated for its rich, oxidative character and meticulous craftsmanship, Selosse has revolutionized the world's perception of artisanal Champagne.

Champagne Jacques Selosse is located in the village of Avize, situated in the Côtes des Blancs. A family-run property which encompasses close to 8 hectares of vines in the crus of Avize, Cramant, Oger, Le Mesnil-sur-Oger, Aÿ, Mareuil-sur-Aÿ, and Ambonnay.

The Selosse family had been cultivating grapes in Avize for generations, primarily selling their entire harvest to various Champagne houses. In 1959, Jacques Selosse broke with tradition by producing and selling his own Champagne. 

His initial vintage produced only 2,500 bottles, as he continued to sell most of his grapes. Anselme Selosse succeeded his father in 1974, after earning a BTS in viticulture and enology from Beaune. By then, their annual production reached 12,000 bottles, though they still sold most of the crop.

In 1976, confronted with a severe drought and very ripe grapes, Anselme decided to add less sugar. By doing so, he realized he had changed his approach to champagne making and discovered freedom, as he could now change the style of his champagnes. 

Anselme Selosse took control of his family estate and emphasized the distinct qualities of his vineyards. He quickly adopted organic farming practices, reducing yields to less than half of those of his neighbors and significantly delaying harvests to maximize ripeness. 

He began fermenting all his wines with native yeasts in oak barrels, while avoiding secondary malolactic fermentation, using minimal sulfur additions, and practicing batonnage, which involves stirring the lees to enhance complexity. Finally, he adds only a small amount of dosage. 

From 1990 to 1996, Anselme applied the principles of agrobiology in the vineyards. From 1996, his focus turned to bio-dynamics. 

In 2002, he distanced himself from the biodynamic doctrine, reverting to more natural farming methods that have less impact on the environment. The thoughts and reflections of Masanobu Fukuoka and permaculture had begun to inspire him, and subsequently, he paid closer attention to the vines and the wine.

Over the last twenty years, the Selosse family has developed a unique viticulture approach that isn’t bound by a fixed method, but continually adapts to the conditions encountered in each growing season across various vineyard plots. 

To illustrate their vine philosophy, Anselme and Guillaume (Anselme and Corinne’s son) frequently liken themselves to “gatherers,” nature’s harvesters who venture out to collect fruit from their surroundings.

The concept of terroir has seen significant progress over the past 3 decades, with Anselme Selosse being one of its most influential advocates. 

His guiding philosophy — “We should take what nature has given us and not interfere” — drives his approach more passionately than anyone else, establishing him as a visionary mentor who has inspired many Champagne growers.

With fewer than 60,000 bottles produced annually, Selosse's wines are among the most prized sparkling wines of all. 

NV Jacques Selosse Exquise Sec (RP04 - Disgorged December 2010) Champagne 


Although the Exquise label mentions "Sec" (meaning "dry" in French, but typically corresponding to sweeter wines in Champagne and other regions), this non-vintage champagne is more akin to a demi-sec, as it has a dosage of 24-27 grams per liter, and it is therefore rather sweet than dry. 

Made from 100% Chardonnay from a vineyard oriented South and located at the lower part of the hills with no clay, this is a beautiful and rich champagne. Beyond its golden hue in the glass, it offers a wealth of ripe peach and nutty aromas on the nose, followed by a fresh, slightly sweet, fruity, and creamy palate that expands nicely until the long finish. Nicely done, even if a bit too exotic for my palate, which is more inclined to drier champagnes.   

The mark "RP04" on the bottle refers to a specific bottling from the producer Jacques Selosse, meaning "Réserve Personnelle du Millésime 2004" ("Personal Reserve" in English), indicating it is a special bottling from the producer. 

Selosse's champagnes are usually aged for a minimum of 6 years before release. This particular bottle is a blend of Chardonnay grapes from various parcels harvested in 2004. It was then disgorged in 2010, which partly explains its slightly aged color and sherry-esque, nutty, almond aromas and flavors 15 years after corking. 

For this cuvée, "Exquise," only 1,000 bottles are produced each year (with a maximum of 3,000 bottles per year, depending on the year and the source of that number), making it extremely rare.  

Like many connoisseurs and amateurs of Champagne, I'm a massive fan of Selosse, and one can only wish that when the time comes, Guillaume Selosse will take over and continue to craft magnificent champagnes in the way his grandfather Jacques and his father Anselme did.     


Info about Selosse courtesy of https://champagne-asia.com.hk/partner/jacques-selosse/ edited by and for www.ledomduvin.com 





1996 Salon Cuvée "S" Le Mesnil Blanc de Blancs Brut Champagne


Champagne Salon Cuvee "S" is surely one of the best, most recognized, and sought-after champagnes in the world, and for good reasons. Despite its age, the 1996 vintage is outstandingly magnificent and tastes remarkably fresh and youthful, making it easy to mistake for a younger vintage if tasted blind. 

In the glass, it displays a lovely, pale, vivid golden color with fine and fast bubbles. The nose is beautifully fresh and mineral, with stone fruit and zesty aromas, as well as floral notes. The palate is bright, vibrant, seamless, straight and focused, elegant, rich, and complex, with great tension due to its amazing acidity,  minerality, and fruitiness. The long finish is so satisfying and persistent that it immediately calls for another glass. Although it has the potential to age longer for those willing to wait, it is absolutely gorgeous now. Superb!        






2016 Louis Latour Batard-Montrachet Grand Cru Burgundy


The 2016 Louis Latour displays an intense golden color in the glass. The nose is quite fragrant, with aromas of yellow and stone fruit, as well as buttery, lemony, and mineral notes. The palate is focused, rich, complex, and ample, with good texture and structure, complemented by a sensation of mineral viscosity that gently coats the mouth, and enough acidity to keep it fresh, balanced through the lingering finish. It exhibits power and elegance, albeit somewhat restrained in certain aspects. 

Very enjoyable wine overall, although I would have liked it to have more expression and purity, especially considering the price (about 490 Euros).  But don't get me wrong, it was still delightful!       






1996 Armand Rousseau Chambertin Grand Cru Burgundy 


Brought by a guest for that night's dinner, this wine was a delightful surprise, as I hadn't tasted Armand Rousseau Chambertin in a long time. Yet, I did not know what to expect from that specific bottle, as the cork was extremely humid and crumbling, and broke into three parts before I could remove it, after exhausting all my patience and skill to get it out and prevent it from falling in (as I forgot to bring my Durand that I normally always bring with me to open such expensive and somewhat old bottles - I cannot believe that 1996 was already 29 years ago, while it seems like yesterday to me). 

Yet, once the cork was removed, the air was immediately filled with a pleasant fragrance reminiscent of wild, ripe dark cherries and strawberries, with floral, mineral, and earthy notes, complemented by tertiary aromas of mushroom, autumn leaves, and underbrush. In the glass, it presented a bright, medium-intensity garnet color with a brick hue. 

The guest suggested I decant it, but I told him I would rather not, as the wine was too fragile and too much air might shock it, accelerating its oxidation.      

The light to medium-bodied palate was gorgeous, elegant, racy, finely chiseled, and distinguished, yet complex and layered in an extremely refined way, with the same amplified flavors as those on the nose, refreshing acidity and minerality, a beautiful texture and structure from the attack to the long and gracious finish. What a stunning wine!

It was a good thing I did not decant it, as it developed rapidly in the glass and in the bottle, and showed signs of weakness around the end of the dinner, roughly 1 hour and 30 minutes after opening. Yet, perhaps it was this particular bottle only, as I couldn't help but think that the state of the cork may have affected the wine in some way.   

I hope to have the opportunity to taste this wine again to confirm whether the fragility of this wine was specific to this bottle due to the cork or if it is the typical profile of this wine in this particular vintage. 

Nevertheless, the wine was still delivering all the traits and qualities that had propelled the reputation of its producer, being one of Burgundy's finest.    






2016 François Lamarche La Grande Rue Monopole Grand Cru Burgundy 


Although this bottle was kept at ideal temperature and humidity conditions in the company's cellar, since I bought it a few years ago, it too had a cork that was extremely humid and crumbling. It broke into two parts before I could remove it, after exhausting all my patience and skill to get it out and prevent it from falling in. (I did not have my Durand as mentioned above.)   

Domaine François Lamarche

The Lamarche family settled in the small village of Vosne-Romanée (Côte d’Or – Burgundy) around 1740. They expanded their land holdings, and by the early 20th century, Henri Lamarche established the estate. He already produced and sold his wines directly from the domaine.

In 1933, he married Aline Demur and received the vineyard of “La Grande Rue” as a wedding gift. His son, François, inherited the estate after his father died in 1985. François was especially dedicated to obtaining official recognition for the monopole “La Grande Rue” as a Grand Cru, which was finally achieved in 1992, following efforts that began in 1989.

The vineyard itself is a narrow strip, approximately 50 meters wide, covering 1.65 hectares and situated just above “La Romanée” Grand Cru, the smallest Grand Cru in Burgundy. 

Unfortunately, François Lamarche passed away in 2013, but his daughter, Nicole, his sister, Geneviève, and his niece, Nathalie, were all involved in the business and continued to run the domaine.

Domaine Lamarche produces 14 wines in total from 11.3 Ha of vineyards, including beautiful parcels in “Clos de Vougeot” Grand Cru (1.35 Ha), Echézeaux Grand Cru (1.32 Ha), Grands Echézeaux (0,30 Ha) and various plots of top 1er Crus in Vosne-Romanée, such as “Les Suchots” (0.58 Ha), “Les Chaumes” (0.56 Ha) and “Aux Malconsorts” (0.50 Ha).

All these wines are highly sought after, and their overall quality continues to improve with every vintage. 

2016 François Lamarche La Grande Rue Monopole Grand Cru Burgundy


The 2016 La Grande Rue Grand Cru is fresh and enjoyably exuberant on the nose, offering a bouquet of ripe red cherries and dark berries, mingling with floral and mineral notes. While medium-bodied, the palate is fresh, gentle, playful, and generous, well-balanced between fruit, acidity, and tannins. Good texture, but in terms of structure, I would have loved for it to deliver more complexity, I mean, it's neighbor "La Romanée", so expectations are high. 

It expands nicely and comfortably up to a certain point, but then falls slightly before the lingering finish. Nevertheless, it is still a beautifully crafted wine. And in the end, I was glad I had chosen it, as I hadn't tried it in a while, and it ultimately pleased the host and the guests, which was the most important thing.          






1986 Petrus Pomerol Bordeaux 


This bottle was a present for the host of the dinner. Unfortunately, I did not open it, but the anticipation of experiencing it one day is always a pleasure. The thought of sharing my thoughts if I open it in the future fills me with excitement. 

However, I had many occasions to open Petrus in my 33-year career, including the 1986 vintage, which I loved, despite some people and critics saying it is not a great vintage. 1986 in Bordeaux followed the hot and sunny 1985 vintage (same as 1996 and 1995, 2006 and 2005, and 2016 and 2015, which again confirm my theory of the decades for Bordeaux vintages - read it here if interested), which was considered one of the best vintages of that decade, alongside 1982 and 1989. 

Consequently, the 1986 vintage seemed subdued in comparison. And yet, if 1986 offers less ripe fruits and less complexity or length, it possesses nevertheless more acidity and sharper tannins, bringing freshness, texture, and structure, as well as longer ageing potential. And despite their shyness and tightness, as well as the need for decanting a few hours before serving, most 1986 Petrus I have tasted were great and still very youthful, as far as I recall.  

I would have loved to open this bottle, as I have not tasted one in more than a decade. It would have been good to refresh my memory and see how the wine evolved.         
 

That's all, folks, for today! 

Cheers! Santé! 

Dom 

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Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Sunday, August 31, 2025

LeDomduVin: Subtle Power




Subtle power 



I recently selected and served these wines for a private dinner, and I hadn't tasted them in a while. I was expecting them to be rich and exuberant, but in the end, their strength lay in their subtlety. 







Dom Ruinart Champagne Blanc de Blancs Extra Brut 2010


Dom Ruinart exclusively selects Chardonnay from primarily Grand Cru sites. 90% of the Chardonnay grapes are sourced from the Côte des Blancs (including Le Mesnil-sur-Oger, Avize, Chouilly, and Cramant), planted in the Côte’s famous white, calcareous chalky soil where it excels, benefiting from an easterly exposure. The remaining 10% comes from the north-facing Montagne de Reims, specifically from Maison Ruinart's historic vineyard, located in the Grand Cru areas of the village of Sillery.

Dom Ruinart 2010 represents a significant milestone. In its pursuit of excellence, Maison Ruinart extended the wine's aging process to reveal additional layers of flavor. For this cuvée, the oenological team decided to reintroduce cork during aging, confirming its benefits through years of tastings. After at least 9 years ageing on its lees, it is notable that the cork has imparted a woody character to this vintage, in addition to the aromas of grilled almonds and coffee on the nose and palate. Extra Brut with a dosage of 4 g/L.  

Beyond its pale yellow gold color, the nose is aromatic and fresh, offering aromas of yellow and stone fruits mingling with floral, mineral, toasted, and nutty notes. Overall, the palate is generous, ample, and layered, lingering somewhat, although not as long as I would have liked; yet the finish is fresh and elegant, elevated by a subtle bitterness. As it is neither too heavy nor too light, it is a good champagne to bring to any occasion, ideal as an aperitif with appetizers. A real quaffer!    






Domaine Bitouzet-Prieur Meursault 1er Cru Perrieres 2020


Vincent Bitouzet’s family history in Burgundy spans the last two centuries, with the Bitouzets among the earliest families in the area to bottle their own wines. Vincent’s grandfather received awards for his winemaking in 1860. When Vincent married Annie Prieur, they merged parts of their family estates to establish a renowned domaine. Now, their son Francois Bitouzet, Vincent and Annie’s son, is actively collaborating with his parents.

Based in Volnay, with significant holdings in Meursault, the domaine covers 12 hectares, roughly four of which are planted with Chardonnay, and the remaining eight with Pinot Noir. They practice organic viticulture, and the harvest is manually done. Classic Burgundian winemaking methods are used, using only indigenous yeasts.

The Bitouzet-Prieur family owns just over a quarter-hectare of Chardonnay, planted in 1983, in the lower part of this renowned premier cru "Les Perrières Dessous," located right above "Les Charmes" on the slope. The Meursault-Perrières is probably the most dazzling mineral wine in their collection. While it can be closed when young, it gradually opens up into a stunning white Burgundy with layered complexity. 

I was unsure what to expect from this wine, as it was my first time trying it.  I previously tried other wines from Bitouzet-Prieur, but never this particular one. I'm not sure why I always want to say "Bizoutet" ("Bizouter" is a slang in French that means "kissing" or "giving kisses", which would be a nice and funny name) instead of "Bitouzet". 

However, I was pleasantly surprised, as instead of being a powerhouse of creamy butter, popcorn, and toasted oak flavors, as some Meursault can be (those that are more New World-style than the New World Chardonnays themselves), this wine is all about subtlety, refinement, and elegance. The oak treatment is present but barely noticeable, as only about 25-30% new oak is used during its 16-month aging process, making it significantly more palatable and enjoyable than those using 100% new oak.  

At first, I misinterpreted its subtlety and elegance as a lack of body and weight. I wanted more from it, more fruit, more substance, more backbone. However, it then began to reveal itself after a few seconds. I tasted it again, and then it hit me. It was beautiful and charming. Fresh, light, and elegant yet complex and layered, it was like a ballerina, showcasing power, balance, precision, and sophistication in a subtle and graceful manner. If timid, the nose is fresh and mineral, with aromas of yellow fruits and citrus, combined with a gentle hint of buttery, toasted oak and herbal nuances. The palate is soft, silky, elegant, and refined, gently expanding towards the long, fresh, and mineral finish. Loved it!                   






Drouhin-Laroze Chapelle-Chambertin Grand Cru 2016


Domaine Drouhin-Laroze has been a family-owned estate for over 150 years, featuring numerous prestigious appellations in the top-tier Premier Cru and Grand Cru categories, which showcases a rich heritage. Today, Philippe and Christine Drouhin, along with their children, manage the estate.

Drouhin-Laroze's Chapelle-Chambertin Grand Cru comes from an east-facing plot at 260 meters elevation, where the vines were planted in 1973 and 1986. The monks of Bèze established a chapel at that location in 1155. It was reconstructed in 1457 before eventually being destroyed, and it is the origin of the name of the appellation.

Those who follow me for a while know that I'm a huge fan of wines with "Chambertin" in the name. Why? The wines of Gevrey-Chambertin, from the village wines to the Premier Crus and Grands Crus, are some of the most versatile wines of all Burgundy. For a Sommelier like me, they are the easiest to pair with. And this Chapelle-Chambertin from Drouhin Laroze confirmed this rule. 

The 2016 Chapelle-Chambertin Grand Cru features approximately 30% whole-bunch fruit, which adds complexity, texture, and structure. Right after opening, the nose displays fresh aromas of ripe red cherries and berries, mingling with floral, mineral, oaky, and earthy notes, reminiscent of a forest floor, but springier than autumnal. Light to medium-bodied, the palate remains quite subtle and could have benefited from a bit more volume and substance. And yet, it is clean, focused, refined, elegant, and sophisticated in its subtlety, with a finely textured and structured palate that is well-balanced between fruit and acidity, and a silky mouthfeel and fine tannins, all culminating in a lingering mineral earthy finish. Loved it.  






Chateau Lynch-Bages Pauillac Bordeaux 2005


Château Lynch-Bages, situated at the entrance to Pauillac, is a notable estate that has significantly influenced the history of the Médoc wine region. The terroir surrounding the area and the old village of Bages has been recognized since the 16th century, but it achieved broader fame in the 18th century.

According to "The Wine Insider," the Dejean family sold the property in 1728 to Pierre Drouillard. In 1749, Drouillard passed the estate to his daughter, Elizabeth, who was married to Thomas Lynch. That’s how the estate became part of the Lynch family, where it remained for seventy-five years and later on inspired the name "Lynch Bages". (*)

In the 1930s, Jean-Charles Cazes, already managing Les Ormes de Pez in St. Estèphe, took on a lease for Lynch Bages' vineyards. The Cazes family had a long legacy in Bordeaux dating back to the late 1800s. Jean-Charles Cazes later bought both estates just before World War II. Since then, Lynch Bages and Les-Ormes-de-Pez have remained under the Cazes family's management. (*)

Jean-Michel Cazes, who started as an engineer in Paris, entered the wine industry and began managing the estate in 1973. Soon after, he modernized every aspect of Lynch Bages. Jean-Michel Cazes met more people, traveled more often, and promoted his wines worldwide like no other Château owner. Lynch Bages is now one of the most popular and beloved brands in Bordeaux wine, thanks to Jean Michel Cazes's relentless efforts. It’s interesting to note that Jean-Michel Cazes was one of the first château owners to start promoting their wine in China in 1986. (*)

In June 1989, Lynch Bages inaugurated its new winemaking facilities, perfectly timed to celebrate one of the finest vintages they've ever produced. That same year also saw the opening of the Cordeillan-Bages hotel and restaurant. A few years afterward, the renovated Village de Bages, featuring various shops, was established.(*)

In 2006, Jean-Michel's son, also named Jean-Charles Cazes, became the managing director of Château Lynch-Bages. Jean-Michel Cazes continued to lead the family's wine and tourism division. Thanks to ongoing promotion in the Asian market, Château Lynch-Bages remains one of the strongest brands in the region, especially in China.(*)

A benchmark among fine Pauillac wines and one of the most recognizable Bordeaux labels, especially in the US and Asia, Château Lynch-Bages boasts over 90 hectares of vineyard rooted in the region's characteristic Garonne and lower Gironde estuary gravel soil. The hand-picked grapes are initially sorted in the vineyard and then usually aged for 15 months in about 80% new oak barrels.

A blend of 72% Cabernet Sauvignon, 15% Merlot, 12% Cabernet Franc, and 1% Petit Verdot, Lynch-Bages benefited from the notoriously warm, sunny, and dry 2005 vintage. The lower yields, caused by dry conditions and water stress, limited production but improved ripening quality, resulting in high-quality grapes. 

The 2005 Lynch-Bages is very seductive and aromatic on both the nose and the palate. In the glass, the color is deep ruby with a slightly brownish hue. On the nose, it boasts a melange of dark berries, cassis, cedar, graphite, and forest floor aromas, with floral notes (such as violet) and earthy undertones. The palate is unexpectedly soft and gentle, medium-bodied and silky, with present yet fine and well-integrated, ripe tannins that add both texture and structure. It has enough acidity to keep it fresh and lively, and is balanced with the ripeness of the fruit, leading to a long, persistent, and delicious earthy finish. Loved it! 

And, once again, being a Pauillac spawned from the 2005 vintage, I was waiting for a bigger wine with more volume and weight, and yet its strength lay in its subtlety.  Well done!     


These are four elegant, refined, stylish wines with a soft expression and a subtle power. 

Cheers! Santé! 

Dom



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Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Monday, August 25, 2025

LeDomduVin: Bordeaux vs Burgundy Series (# 3) - The Eternal Rivalry

 

BORDEAUX vs BURGUNDY
SERIES # 3



Bordeaux vs Burgundy: The Eternal Rivalry!


I recently had an interesting conversation about Bordeaux bashing and the comparison between Bordeaux and Burgundy, which inspired me to create the illustration above and write this post.

We discussed the various problems that both regions have faced over the last decade and attempted to compare them, ultimately trying to dispel the misconception of rivalry between the two.   

Starting with climate change, then delving into administrative, market & economic challenges, and concluding the conversation by exchanging our views and opinions about the region's respective images, reputations, and pricing strategies in today's world.  

In this post, I am retranscribing that discussion, providing further details and facts with my own views, opinions, and perspectives, as I typically do.

Note: Some readers may disagree with my opinions or how I present them in this post, particularly about Bordeaux. However, I am a native of Bordeaux and have been promoting the region's wines through tasting, visiting, buying, selling, serving, and drinking them for over 30 years across three continents. 

Therefore, please read carefully before judging, as I have nothing against Bordeaux and am not trying to be disrespectful; on the contrary, I love Bordeaux and its wines. I aim to present the facts as they are, stating them as accurately as possible. Ultimately, my voice and words are just one among many that have been calling for changes for years, urging Bordeaux to adapt to shifting market conditions, update its image, and find innovative solutions for a more resilient future.      


Climate change and weather patterns


Bordeaux has a milder, more humid maritime climate over a generally flat topography (especially the left bank, as the right bank has some hills and valleys) influenced by the Atlantic Ocean, the Garonne and Dordogne rivers, and the Gironde estuary, which moderates the weather, resulting in mild winters and warm summers, with some heavy rainfall usually in winter and spring. It can also rain during the summer, in the form of light showers or occasional thunderstorms, but rainfall typically decreases from June to August. 

Although Bordeaux usually enjoys beautiful, warm, and dry "Indian Summers," the rain that sometimes occurs during the harvest, typically late September or early October, is the fear of all producers, as light occasional showers may benefit the vineyards and the grapes, but days of rain at that time can also be disastrous. The moderating influence of the ocean, the estuary, and both rivers helps create a consistent, warm climate, which, combined with the topography and the gravelly soils on the Left Bank and clay-rich soils on the Right Bank, is suitable for late-ripening grapes, such as Cabernet Sauvignon, Cabernet Franc, and Merlot. 

On the other hand, with its cooler, continental climate, Burgundy experiences more extreme temperatures, with cold winters and hot summers. The climate is more unpredictable and challenging, often bringing cold winters and the threat of spring frost. Nonetheless, summers tend to be dry and sunny, which is essential since many of Burgundy's most prized vineyards are located on slopes facing east or southeast. This positioning maximizes the morning sun and provides plenty of light for grape ripening, until late afternoon when the sun passes behind the mountain to the west, casting shadows over the vineyards. 

Compared to Bordeaux, Burgundy is characterized by rolling hills and gentle slopes that create a mosaic of diverse vineyard sites and microclimates. Its defining geological feature is a limestone-rich soil, which is a result of ancient marine deposits from a Jurassic-era lagoon, often mixed with marl and clay, contributing a distinctive minerality to the wines. This makes it an ideal region suitable for delicate, early-ripening varieties, such as Pinot Noir and Chardonnay. 
 
In terms of weather patterns, like most regions in France and around the world, both Bordeaux and Burgundy have experienced the accelerating effects of climate change in their own unique ways, particularly over the last decade. In fact, they have experienced them for over 40 years, as the acceleration of these effects occurred at the beginning of the 80s, and each decade has been hotter and thus more challenging than the previous one, ever since.

This trend of increasingly warmer decades has been a consistent pattern since the 1980s. The rate of warming has sped up, with the rate for 1981-2020 about 0.4°C per decade (that's +1.2°C in 40 years), compared to earlier periods. The global average temperature has risen significantly over the last decade, with 2011-2020 being the warmest on record, approximately 1.09°C above the 1850-1900 pre-industrial average, according to the IPCC (Intergovernmental Panel on Climate Change). 

And for the 2020s, each year has been hotter than the last so far, with 2024 being the hottest year on record (partly due to a strong "El Niño" event). Global temperatures have exceeded the pre-industrial average by approximately 1.55 degrees Celsius, marking the first time this 1.5°C threshold was crossed in a calendar year.

The increasingly unpredictable weather patterns have resulted in more frequent challenges, including frost, hail, storms, rain, floods, and droughts, in both regions. These shifts and conditions, notably higher temperatures, more frequent droughts, and severe heatwaves, disrupt the vine's growth cycle during late spring and summer, resulting in lower yields, premature grape ripening, and/or over-ripening. 

Meanwhile, more frequent hail and rainstorms, as well as floods and high humidity, in spring, summer, and early autumn during harvest time, increase the risk of damaging the vine shoots, lowering yields, and dilution, as well as diseases such as downy mildew. This variability has made it more challenging for winemakers to maintain consistent quality, resulting in increased vineyard work and labor costs, and requiring greater attention and vigilance to protect the harvest.   

These situations also require financial means to cover the costs of machinery, products, and labor, among other expenses, which have increased due to higher demand in recent years, resulting from the higher frequency of these events and putting producers in a dire situation.    

Climate change and changing weather patterns are concerning issues because they directly affect the vineyards. However, Bordeaux and Burgundy also face other challenges, such as administrative, market, and economic issues. 

Let's begin with Bordeaux since it's a region I know better than Burgundy.   





Administrative, Market & Economic challenges


Bordeaux has struggled with declining consumer demand, particularly among younger generations, due to shifts in consumer habits, high prices, and changing financial opportunities. It also suffers from its outdated, traditionalist, and aristocratic image, and has significant issues with its "En Primeur" system and classification. 

Bordeaux "En Primeur" wines are overpriced, stagnant, and disconnected from release prices, leading to reduced demand and a flooded secondary market. Recent vintages have frequently been launched at prices that are too high, disconnected from what consumers are willing to pay. 

This overpricing has caused demand to stagnate, with many wines from recent vintages trading at prices lower than their initial release prices, leading to unplanned unsold wine stocks. As a result, rising storage and borrowing costs put financial pressure on the system, especially when stock remains unsold and loses value while stored. 

Despite some late efforts to lower the release prices for the 2024 vintage, the high release prices of previous vintages, such as recent ones (2021, 2022, and 2023), and the price stagnation or decline in the secondary market, have resulted in wineries and merchants alike still having large stocks of unsold wine. Weak demand and unfavorable global market conditions created a situation where buyers are unwilling to pay high prices for these wines.    

The system's reliance on traditional intermediaries, such as courtiers and négociants, is seen as an outdated, lack of transparency model that creates barriers between producers and consumers, resulting in financial strain and alienating modern consumers. 

The system, which sells wines "en primeur" before they are bottled, has been undermined by the availability of back vintages that are now selling for less than release prices, making consumers wary of buying unfinished wines. 

Other issues include the long wait for delivery, uncertainty about the final wine quality before bottling, and a shift in top producers' preferences for direct-to-consumer sales or subscription models, which challenge the traditional model's long-term viability.  

Bordeaux classification problems stem from the 1855 classification's static nature, which fails to account for over 170 years of evolving quality, winemaking, vineyard management, and ownership changes, leading to a disconnect between official status and current quality. Key issues include outdated rankings, the omission of Right Bank wines, market distortions where status and prices outweigh merit and even quality, confusion caused by younger and more dynamic classifications such as those in Saint-Émilion, and controversies surrounding the rankings, demotions, and withdrawals from the system. 

The 1855 classification has remained largely unchanged since its creation, despite significant advancements in winemaking, vineyard management, and shifts in estate ownership, quality, and size over the past 170 years. Many estates have significantly improved their quality, yet their classification has remained the same, while some classified estates may have declined relative to non-classified ones. 

The 1855 classification also excluded Right Bank wines, such as those from St-Emilion, and other wine regions from Bordeaux. The staticity of this classification system creates market confusion and leads to status mattering more than the actual wine quality, causing price distortions. 

Additionally, wine styles in 1855 were quite different from those today, featuring lower alcohol levels and less tannic wines. Bordeaux wine's alcohol content has increased from traditionally lower levels, around 12-12.5%, to modern averages closer to 14%. 

This trend has been gradually driven by various factors, including rising global temperatures—especially since the mid-1980s, around 1985 and 1989—leading to increased grape ripeness and higher sugar content. It has also been influenced by changes in winemaking techniques, vineyard and cellar management, and consumer tastes shaped by influential wine critics, which drove demand for more powerful wines and encouraged growers to pursue higher alcohol levels, longer oak ageing period, and the use of more toasted new oak barrels (a trend coming from the US in force in the 80s and 90s). 

This trend also introduced or further developed the concept of second and third labels, as well as the second and third wines made from grapes grown on younger vines or from vineyard sections that didn’t quite meet the standards of the Grand Vin, but still received the same meticulous care and winemaking process. 

This allowed the château to enhance the quality, complexity, and aging potential of the Grand Vin, while offering wines of similar quality that were less complex and more suitable for early drinking. This created options for wines at different price points and quality levels. This practice, still used today, also helped generate revenue to support the estate while waiting for the release of the Grand Vin.

For example, Château Latour created its second wine, "Les Forts de Latour," in 1966, and its third wine, "Pauillac" de Latour, in 1989 (or 1990, depending on the source).         

Moreover, the classification is outdated, as many estates have changed hands and vineyard sizes have increased dramatically since 1855. Some small estates have been merged into larger ones, while others have been acquired by wealthy individuals and large corporations. Although these mergers aimed to create larger, more economically viable properties, improve production capabilities, enhance reputation, and diversify operations for greater financial and social success, the outcomes often varied, impacting, in some cases, both the quality and consistency of the wines, despite overall improvements in production. 

As for the other classifications, while newer, the Graves Classification, established in 1953, revised in 1959, and refined by the creation of the Pessac-Leognan appellation in 1987, offers no quality distinction, listing all classified estates with the same status despite inherent quality variations. 

The Saint-Émilion classification, established in 1955 and revised in 1958, is periodically reassessed roughly every 10 years. The list was updated in 1969, 1986, 1996, 2006, 2012, and 2022. However, it has faced issues with a confusing A/B rating system and controversy over rankings, demotions, legal challenges, and even withdrawals by top estates, like Château Cheval Blanc and Ausone in 2021, followed by Angelus in 2022, due to disagreements with the system, which they felt had become a source of conflict and instability instead of progress. 

Some estates, with strong brand recognition, no longer rely on official classifications, further weakening the system's relevance. For example, Château Lafleur announced just a few days ago that it had left the Bordeaux Appellation System and revoked its status as a Pomerol and Bordeaux wine, selling all six of its labels as Vin de France from the 2025 vintage onwards. This move responds to the accelerating impacts of climate change and the increasing restrictions imposed by the Appellation d'Origine Contrôlée/Protégée (AOC/AOP) system, as mandated by the Institut National de l'Origine et de la Qualité (INAO). 

More estates may follow if things don't change and the restrictions are not relaxed in the coming years.  It is too soon to figure out whether they were right to do so. Some take it as a threat to the appellation; others applaud their bold decision to step out. Good or bad thing? Time will tell.    

Additionally, over the past 25 years, the rest of the world has followed suit in producing wines, with more than 80 countries (out of 195 worldwide) now making their own, resulting in overproduction, increased national consumption, and reduced imports from other countries. China, for example, which used to import countless containers of Bordeaux wines in the 2010s, is now relying more on its own wines. The problem is that high demand from markets like China in previous years supported increased Bordeaux release prices for certain vintages, but this is no longer the case.   

Climate change, geopolitical situations, financial crises, global inflation, taxes, tariffs, overproduction, and other factors, such as changes in consumption habits and growing health concerns in the young generations, have led to a global surplus of wine and unsold stocks (in both wineries and merchants' warehouses around the world), weakening the market.   

As a result, facing an excess of wine, some Bordeaux producers have turned to diversifying their crops and offering products like zero- or low-alcohol alternatives, more appealing to a younger audience, to meet demand, or, in the worst cases, have chosen distillation or even uprooting vineyards to control their supply, focus on other crops and avoid having to shut down.  

The uprooting of vineyards in Bordeaux is being carried out in accordance with a French government-funded program aimed at addressing overproduction, declining domestic and international demand, global inflation, high prices, financial priorities, health concerns, and shifting consumer preferences that favor other beverages or simply can no longer afford wine in their monthly expenses. The program offers subsidies to winemakers for removing vines and repurposing the land. This strategic adjustment aims to stabilize the Bordeaux wine market by reducing supply and refocusing on higher-quality production. 

To summarize and conclude, over the past decade, Bordeaux wines have faced significant challenges, including the severe effects of climate change, which have led to volatile vintages and increased production costs. Additionally, there has been a global decline in demand, particularly from China, and an oversupply of red wines resulting from the downturn in domestic and export markets. 

All these factors (cited above) have resulted in falling prices for many wines, market saturation, and even government-funded vineyard uprooting programs aimed at addressing the imbalance between supply and demand. The continuously increasing restrictions imposed by the Appellation d'Origine Contrôlée/Protégée (AOC/AOP) system, as mandated by the Institut National de l'Origine et de la Qualité (INAO), are outdated, too strict, unflexible, and insufficient to address many of the challenges faced by vignerons.  

Therefore, yes, Bordeaux wine is experiencing a period of significant decline, characterized by decreasing sales, falling prices, and a record-low harvest in 2024, caused by disease and uprooting programs. The crisis stems from years of overproduction, resulting in strategic supply cuts and reduced vineyard acreage to combat declining demand, particularly for red wines, as well as shifting consumer preferences. 

Being a Bordeaux native, I have serious concerns about this situation. Although I have spent my 33-year career promoting Bordeaux wines, including both small and large châteaux, I can't help but think the situation is dire and could cause long-term damage to the vignerons, the region's economy, and the wine industry as a whole. In the meantime, I hope for better days ahead. Wishing strength and courage to all Bordeaux vignerons.   








Now, let's review the administrative, market, and economic challenges Burgundy has faced over the past decade, while comparing them to those of Bordeaux.    


While Burgundy faced challenges with high prices and the perception of artificial scarcity, despite its focus on small-scale luxury, it is not performing as poorly as Bordeaux. In fact, although both regions have encountered difficulties in the global fine wine market, particularly over the past five years (the post-COVID period has been challenging for all wine regions in France and around the world), Burgundy has shown signs of resilience and has even outperformed in recent years due to demand for its unique, rare wines. In contrast, as mentioned above, Bordeaux has experienced a decline in market share, as well as fewer en primeur campaigns. 

Although both regions are currently facing a general market slowdown, Burgundy is regarded as a more resilient and desirable market for collectors, especially in the high-end, collectible segment. In a supply and demand-driven market, the limited production of Top Burgundy wines indeed makes it a more valuable investment over time, compared to Bordeaux, which produces larger quantities that can be easily found in the market decades after their release, even for the most sought-after chateaux in excellent vintages, thus limiting the price appreciation over time.  

While some Burgundy producers only make a few thousand bottles of "Premier Cru" and even fewer of "Grand Cru," more renowned Bordeaux Chateaux, whether classified or not, such as "Petrus," already produce around 30,000 bottles annually from 11.3 hectares. This is relatively small for Bordeaux, but still quite significant compared to Burgundy, where, for example, Domaine de la Romanée-Conti produces approximately 5,000 to 6,000 bottles of Romanée-Conti per year from its 1.8-hectare vineyard. Only the Bordeaux properties nicknamed "garagists", such as "Le Pin", usually produce less than 10,000 bottles per year.  

The Bordeaux region is a significantly larger vineyard area than Burgundy, with larger average property sizes and consequently a larger quantity of bottles produced. 

Bordeaux boasts nearly 110,000 hectares of vines (up to 125,000 hectares depending on the source, while I think I recently read somewhere that it is now about 90,000 hectares in 2025 due to the uprooting of the last few years) and approximately 6100 wine estate owners and growers (+ 33 wine cooperatives regrouping an additional 2500 growers/producers), with a typical estate covering about 17 hectares. These figures reflect the diverse landscape of the region, which encompasses both large, internationally owned companies and smaller, family-owned estates that have been passed down through generations.  

In contrast, Burgundy's vineyard area is significantly smaller, at roughly 25,000 hectares in AOC vineyards (out of a total of 29,500 hectares planted), shared among about 4,000 domaines and cooperatives. In summary, Burgundy's vineyard area is roughly 4.5 times smaller than Bordeaux's, even though it has more than half the number of Bordeaux producers. 

Consequently, the domaines tend to be much smaller too, as 85% of its domaines are under 10 hectares, typically family-owned estates that have been passed down through generations. Compared to Bordeaux, which has a more stable system of inheritance, Burgundy suffered from its vineyards being divided among generations, thus increasing the number of domaines, as well as the scarcity of bottles and the prices of top producers.   

Over the last two centuries, Burgundy properties, particularly vineyards, have been divided among generations primarily due to the Napoleonic Code, which mandated equal inheritance among all children, resulting in the continuous subdivision of land parcels with each passing generation. This law decreed that property must be divided equally among all heirs, breaking from the previous system, where only the eldest son was entitled to inherit.

This practice, which began in the early 1800s following the French Revolution, created the complex, fragmented ownership structure seen today, where even large Grand Cru vineyards, such as "Clos de Vougeot", are divided into numerous small, independently owned plots (approximately 50 hectares, or 125 acres, split into over 100 parcels owned by about 80 proprietors).   

Some well-known hyphenated family names on labels might suggest—like Fontaine-Gagnard or Bachelet-Monnot—that marriages between Burgundy heirs are a common practice mainly meant to preserve vineyards, as shown in fictional works like the film "Back to Burgundy" (Ce qui nous lie), and to address inheritance tax issues and consolidate family holdings.  

Although not as frequent as some may think, it is still somewhat true, as the primary challenges to keeping vineyards in the family are inheritance taxes and land fragmentation resulting from Napoleonic inheritance laws, which impose significant financial burdens and create complex legal situations for heirs. 

When family estates are passed down, high inheritance taxes can force heirs to sell all or part of the business to cover the costs, especially if the property's value has increased significantly. The combination of expensive land and the need to pay taxes creates heavy financial pressure on families, sometimes causing them to sell to foreign investors. 

That's why marriage is sometimes seen as a way to link two separate family vineyards, creating a larger, more sustainable estate that's less likely to be sold. By marrying, one heir might gain access to the other family's financial resources, which could then be used to cover the hefty inheritance taxes that might otherwise force the sale of their own family's vineyards. If marriage isn't planned, heirs can agree to manage the property jointly, or one heir can purchase the shares of the others. 

Fortunately, recent changes to French inheritance laws and tax regulations, particularly the higher exemption limit, are helping Burgundy vintners preserve their family vineyards. If the situation becomes truly dire, external investment might be the only option remaining. While sometimes controversial, bringing in outside investors can provide the necessary funds to pay taxes and sustain the business. 





LeDomduVin - The Wine Rollercoaster by and for @ledomduvin 2025



Like Bordeaux, Burgundy has also faced climate change-related challenges over the past decade, including spring frosts and excessive heat, which have led to significantly reduced and fluctuating wine yields. Other issues include supply shortages caused by these low yields, higher costs for new farming techniques to fight climate problems (such as expensive "candles" for frost protection), shifts in market demand for their wines, and the increasing influence of outside investors owning vineyards, which changes the traditional grower-proprietor model. Unfavorable weather conditions, including those driven by a changing climate, have increased disease pressure from problems such as downy mildew in some years. 

All these factors have significantly increased Burgundy's prices over the past decade. Generic Bourgogne has risen by 50-60%, while top-tier Grand Cru wines have doubled or more. This price surge is fueled by consistently low production, strong global demand for Burgundy's reputation and quality, and the scarce supply of wines from highly sought-after "cult" estates. Moreover, compared to Bordeaux, active auction markets and speculative collecting of premium Burgundies have further boosted prices. 
  
In short, Burgundy prices have skyrocketed over the last decade, while those of Bordeaux have plummeted. Yet, as Burgundy wine prices soar, we could be inclined to think that people might return to Bordeaux for better value. A situation that may entertain the illusion of rivalry between them.  

Ironically, even though Bordeaux offers more choices, greater availability, and often better quality than Burgundy in the under €20/bottle range, people still favor Burgundy wines, despite often coming with a higher price tag compared to those from Bordeaux. 

On average, Burgundy bottles tend to be more expensive than those of Bordeaux, especially at the high end, because Burgundy's limited production and high demand drive prices upward. While Bordeaux has many affordable entry-level options, Burgundy offers fewer, and even basic "Bourgogne" wines often cost more than the entry-level Bordeaux equivalents. 

The average price for a bottle of Bordeaux wine is usually around €10-15. However, the price can vary significantly based on factors like the specific château, vintage, vineyard quality, and whether it's a prestigious classified growth or a more accessible appellation.

In an ideal world, the quality and characteristics of a given year (the vintage) should significantly influence its price; however, this is not always the case. For example, the 2021 Bordeaux vintage was characterized by cooler conditions, resulting in wines that are more approachable but of lesser quality than the previous three vintages (2018, 2019, and 2020). 

However, Bordeaux made a major mistake, as the 2021 "En Primeur" release prices were far too high for the quality and expectations of this particular vintage, generally similar to or slightly lower (not even 10% less) than the 2020 vintage, with some estates releasing at the same price point, while others offered price decreases. This resulted in buyer dissatisfaction, poor sales, a loss of credibility, and an additional reason to contribute to the phenomenon of "Bordeaux bashing."   

The pricing strategy is another big difference between the two regions. While Burgundy remains relatively consistent in adjusting its prices depending on the quality of the vintage, production, and overall market demand, Bordeaux consistently increases its prices from one year to the next.

In recent years, Bordeaux en primeur (EP) prices for the 2018-2024 vintages have generally seen increases, criticism, and a disconnect from secondary market prices, with a market trend of prices falling in the years following their release, resulting in the dire situation we know now, with concerned buyers reluctant to buy or invest in Bordeaux any longer.  

In short, as 2018 was a great vintage, the EP release prices were significantly higher than in 2017, which was a much lesser vintage. Then, 2019 was also a great vintage, but not as praised as 2018, showing prices similar to or lower than those of 2018. Then 2020 arrived with a higher quality than 2019, and despite a handful of Châteaux setting the right example by releasing at a slightly lower price point than 2019, the rest of Bordeaux raised its prices again. 2021 was a lesser vintage than the previous three, but Bordeaux still chose not to significantly lower its prices compared to 2020. Then 2022 emerged as a "super vintage", one of these "vintage of the century" (the umpteenth since the beginning of this century), and prices went even higher than those of 2020. 

At this point, due to COVID-19, inflation, the global financial crisis, shifts in consumer habits, and other factors—including the outrageously high EP release prices, which caused buyers' dissatisfaction and confusion—Bordeaux sales and reputation declined sharply, leading to a drop in the market. Bordeaux attempted to significantly lower its prices for the 2023 vintage, which was of lower quality than the 2022 vintage, in an effort to revive the market, but it was unsuccessful. Then, in 2024, prices were even lower than those of 2023, addressing buyer caution and the high market prices of previous years. Still, some châteaux managed to set prices completely disconnected from the quality and expectations of the vintage once again.           

As a visual is worth a thousand words, I have created the table below to illustrate the rollercoaster inconsistency of Bordeaux prices over the past decade (2014-2024). It demonstrates, as mentioned many times before in previous posts on the same subject and about scores and ratings, that Bordeaux's incoherent prices are based solely on the quality and release price of the last vintage(s), without considering the intrinsic quality and value of the wine or the vintage itself. 

I used Mouton Rothschild as an example because it is part of the first growths, which typically show the most inconsistency in their prices. As part of the leading Chateaux (the so-called "locomotive of Bordeaux"), they establish the reference price points everyone else follows. They should therefore set a better example for all the others. But, except for a few rare exceptions, they usually don't.    







Don't you agree? Look at the table again and tell me. Isn't it ridiculous? It is. For example, 2021 was released at 2.9% cheaper than 2020, while 2020 is a far better vintage than 2021, so why is the 2021 so expensive? 2021 was released at a more expensive price than 2018 and at the same price as 2016, which are also considered far better vintages. And why was 2022 released at such a significantly higher price than 2018 and 2020, which are also great vintages? Was it worth it to deserve being sold for roughly 100 Euros more? I don't think so. Bordeaux should not be surprised if buyers are no longer willing to pay these prices. They shot themselves in the foot by doing so.     

I really think that Bordeaux should have reviewed its pricing strategy more than a decade ago and been more consistent over the years by adopting more reasonable "fixed" prices. For example, Mouton Rothschild should set its price between €380 and €420 in regular years (2015, 2018, 2020), then lower it between €310 and €350 in lesser years (2014, 2017, 2021, 2024) (or lower if they feel like it), and increase it between €450 and €480 maximum in greater years (2016, 2022), not go over €500, otherwise, there is no limit?    

I understand that the cost of life and production may have increased significantly since the COVID pandemic in 2020, due to all the challenges and reasons mentioned above (COVID, climate change, inflation, global financial and commercial crises, taxes, tariffs, wars, geopolitical issues, shifts in consumer preferences, health concerns, global overproduction, rules, restrictions, laws, etc.). 

However, despite efforts to substantially lower the prices of the 2023 and 2024 vintages to revive the market and restore buyer confidence in a market already weakened with declining sales over the last 3-4 vintages due to lack of demand and high prices disconnected from what consumers are willing to pay, the top Châteaux should communicate with each other and adopt a better market pricing strategy. They should avoid penalizing buyers with inconsistent prices and instead return to more reasonable pricing if they want Bordeaux to experience a renaissance, change its image, and thrive again, as it once did.     

The main problem with Bordeaux isn't the top 500 Châteaux, the so-called "locomotive of Bordeaux," which are the ones that sell the most and offer wines ranging from €50 to over €500 per bottle (release price), representing Bordeaux's image worldwide. These will always sell one way or another. 

The main issue with Bordeaux is the problems faced by the 6,000+ other Bordeaux estates, producers, and growers, mainly offering wines below €50, with a large majority selling only between €3 and €20. They struggle to sell their wines in the shadow of the famous ones, which tarnish Bordeaux's reputation with high prices and wrong, outdated image and marketing strategies. Most people think Bordeaux wines are expensive, the top ones, yes, but that is not the case for a vast majority of Bordeaux wines.  

As a result, there is an ocean of wines, bottles, and labels that have seen their market shrink both locally and internationally, and their prices fall despite all the climatic, political, financial, and economic challenges they have faced over the last decade.      



Dispelling the misconception of rivalry or competition 

between Bordeaux and Burgundy

 
Bordeaux and Burgundy are often seen as rivals. The rivalry between them is a centuries-old debate driven by their different philosophies, grape varieties, and winemaking styles. However, after considering everything mentioned above, can we really discuss rivalry? 

"Rivals" is a strong word! I prefer to call them friendly competitors because, in the end, they are two completely different entities targeting similar yet slightly different types of consumers, including collectors and investors, as well as distinct markets.      

This friendly competition, often viewed as a reflection of the broader French spirit—Bordeaux's bourgeois influence versus Burgundy's more aristocratic, sensual nature—provides wine enthusiasts with a rich choice between power and finesse, structure and delicacy, drinkability and age potential. 

It's a healthy competition where they observe and challenge each other to improve, despite their differences. Because there are no two wine regions that could be more different than these two.

Their philosophy differs in that Bordeaux focuses on blending grapes to create complexity and structure, with styles such as robust Cabernet Sauvignon-based reds from the Left Bank or Merlot-dominant wines from the Right Bank. Meanwhile, Burgundy emphasizes expressing a single vineyard's unique characteristics through single-varietal wines, highlighting the profound influence of terroir. 

Their grape varieties differ as Bordeaux is known for its bold, complex blends, usually featuring Cabernet Sauvignon and Merlot. At the same time, Burgundy is renowned for its elegant, terroir-driven single-varietal wines, particularly Chardonnay for whites and Pinot Noir for reds. 

Their terroirs differ, as Bordeaux is characterized by more uniform gravelly or clay-rich and limestone soils, with a weather pattern influenced by a maritime climate and the Gironde estuary, as well as the Dordogne and Garonne rivers. While Burgundy is renowned for its diverse soils and climates, it has ancient monastic traditions meticulously mapping out vineyard plots to capture the subtle and unique differences of the various terroirs. 

Their cultural representations differ, as Bordeaux is often associated with the bourgeois, dirigiste spirit —a more structured, serious approach to winemaking. While Burgundy is more commonly associated with a more rustic, sensual, and Rabelaisian aspect of the French soul, it produces aromatic, full-bodied, and sophisticated wines. 

Their classification systems differ, as the Bordeaux region has a famous classification system that has long been a standard in the wine world. While Burgundy has a classification system rooted in medieval monastic traditions, highlighting individual vineyards, or "climats", which are often smaller and more intimately worked. 

Suppose there is a clear and long-standing rivalry or competition between the two. In that case, it is one created by the market and the consumers who highlight their differences, always put them side by side, comparing, criticizing, and judging them, and draw conclusions accordingly. The reality is different, as I do not think that producers of both regions see themselves as rivals or competitors, for all the reasons mentioned above.  

And if there is, it is a friendly one, with both regions equally representing the pinnacle of French wine production in their own respective ways. Thus, wine enthusiasts can find equally compelling reasons to appreciate both the power and structure of Bordeaux and the finesse and subtlety of Burgundy. 

Of course, the choice between them often depends on personal preference, as well as the occasion, the types of dishes, the company (the people you are drinking with), the ambiance, the atmosphere, and the place. 

Burgundy, usually lighter (but not less complex or rich), can be paired with a wider variety of dishes, while Bordeaux, generally fuller and more tannic, might require more flavorful and robust dishes. But there is no right or wrong, as everyone has their own taste and preferences.  

For example, I prefer drinking Burgundy from May to October, during the hot season, and Bordeaux from November to April, as I usually associate Bordeaux with colder and rainier weather. Yet, throughout my 33-year career on three continents, I have worked tirelessly to promote both, regardless of the season, as well as all the other wines and regions of France and the rest of the world.    


Anyway, to conclude, this lengthy post, as Dany Rolland put it so well in a comment to one of my posts on Facebook: "There are no real rivalries, but rather stories of tastes, opportunities... and these are two regions with historic, renowned vintages, which therefore fuel all the speculations of language and price, comparisons more than choices... if not cultural ones. This is the diversity." - Dany Rolland


Looking at the statistics of global consumption over the last 50 years, one may wonder what the future holds for wine in a world that no longer shows much interest in it, due to climate change, geopolitical issues, inflation, financial and economic crises, growing health concerns, future uncertainties, and, more importantly, changes in consumer habits and attitudes toward wine and alcohol in general.  

Let's hope that some consumers will continue to drink and appreciate wine; otherwise, the challenges and difficulties the industry has faced over the past decade will only increase exponentially, until wine becomes a beverage of the past, gradually removed from human culture and traditions after being part of them for thousands of years. 

Ultimately, Bordeaux and Burgundy should not be viewed as rivals or competitors, as in the current world, they have been fighting side by side for their survival for more than a decade.


Cheers! Santé! 

Dom


NB: I thought that the quote from Richelle Mead's book “The Golden Lily: A Bloodlines Novel” (2012) was remarkably insightful and very "À propos" for this illustration. 😊👍🍷


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