Wednesday, August 13, 2025

LeDomduVin: What is "LeDomduVin" ?




What is "LeDomduVin"? 


This is my latest illustration for my blog at ledomduvin.com (link in bio)

As you probably realize by now, I may be 52 years old, but I still genuinely enjoy creating my own illustrations, like I did when I was a kid—drawing cartoons, making collages, and designing images and other visuals—to add to the posts I write on my blog. 

They often feature my two favorite protagonists: Glass & Bottle! 

Occasionally, I like to revisit some old posts and edit them to correct mistakes, rephrase sentences, and add more writing. 

Today, I was revisiting the page "What is LeDomduVin?" and decided to replace one of the illustrations. So I created this one instead. 

Visit the page here on my blog if you want to find out what "LeDomduVin" stands for. 😁👍🍷 

Cheers! Santé!

Dom 

@ledomduvin #ledomduvin #vin #wine #vino #wein #illustration #mylatestillustration #cartoon #glassandbottle #illustrationformyblog #blog #wineblog #sommelier #sommelierlife #sommlife #lovewine




Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Monday, August 11, 2025

LeDomduVin: While in Phuket


Yves Sauboua with a bottle of Moss Wood Ribbon Vale Vineyard Semillon - Sauvignon Blanc, Margaret River, Australia


While in Phuket 



I couldn't visit Phuket with my kids without stopping by my friend @yvessauboua's wine boutique. 







So that's what we did on our last day. We spent a few hours with him, his wife, and his friends on the terrace of his boutique, right before heading to the airport to go back to Hong Kong. 



Yves welcomed us warmly. It was good to see him and catch up. He opened some nice wines (with some charcuteries), including Moss Wood (@mosswood) Ribbon Vale Vineyard Semillon - Sauvignon Blanc, Margaret River, Australia 2018. 




Moss Wood Ribbon Vale Vineyard Semillon - Sauvignon Blanc, Margaret River, Australia 2018

A blend of Semillon and Sauvignon Blanc, the 2018 Moss Wood Ribbon Vale Vineyard is a delightful, crisp, zesty, and lively white wine. The fermentation in barrels adds a subtle, barely perceptible oaky touch. The palate is dry and crisp with bright citrus and herbal aromas, expanding pleasantly in the mid-palate and leading to a rich, dry, and satisfying, long-lasting finish. Although some prefer it young, I'm in the camp of those who recommend aging it for at least 5 years for softening and development, giving it more depth. This one was 7 years old already and was still vibrant, rich, balanced, and fresh, tasting as if it were a more recent vintage. Loved it.   

I recommend pairing it with seafood like oysters and shellfish. Since we were in Thailand, I definitely would have considered drinking it with some steamed crab with lemongrass or a fish curry if given the chance. Maybe next time! 😋😁👍🍷 (...shame there is no white wine emoji!!!)




And, of course, we smoked a cigar. I had a "Confidenciaal" (@confidenciaal_cigars, a private brand of @eric.piras, also available at @bertie.hk ). Very nice smoke, quite full, rich, earthy, and flavorful, yet fairly easy to smoke due to its excellent draw.  


It was a very pleasurable experience, pleasant and easy, simple and joyful. I like this kind of moment. It made for a great memory as our last activity in Phuket. 




Thank you, Yves, for welcoming us and also for your energy, happiness, and generosity. It was much appreciated. 🙏😁👍🍷

Yves has a great selection of wines and spirits, so if you search for great wines in Phuket, pay him a visit at Wine2 by Yves (Wine Square by Yves). He surely has what you're looking for. 

See you in Hong Kong, Phuket, or elsewhere. 

Cheers! Santé! 

Dom 

@ledomduvin #ledomduvin @yvessauboua @ Wine Square by Yves #yvessauboua #winesquarebyyves #wine2byyves #wine #vin #vino #wein #sommelier #sommelierlife #sommlife #friend #friendship #reunion #phuket #thailand #vacation




Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Thursday, July 31, 2025

LeDomduVin: Domaine Georges Lignier et Fils Gevrey-Chambertin 1er Cru Les Combottes 2019




Domaine Georges Lignier et Fils Gevrey-Chambertin 1er Cru Les Combottes 2019



Domaine Georges Lignier is an acclaimed Burgundy estate based in Morey-Saint-Denis. Georges Lignier is a cousin of Hubert Lignier. Their two estates possess comparable vineyard holdings and present some similarities, yet Georges Lignier's wines are often seen as more delicate and nuanced. 

Since 2008, Benoît Stehly, Georges' nephew, has been managing the estate.

George Lignier's esteemed vineyard portfolio includes over a hectare of Clos de la Roche, a smaller section of Bonnes Mares, and nearly 1.5 hectares (4 acres) of Clos Saint-Denis, making him the largest owner in that vineyard. Overall, there are 16 hectares (40 acres) of vineyards across 17 appellations, divided into 50 parcels.

Winemaking is generally considered traditional. The fruit is harvested slightly later than usual and is usually 80 percent destemmed. Village wines are aged in used oak, premier cru wines incorporate 30 percent new oak, and grand cru wines include about 50 percent new oak. More recent vintages have been bottled without fining or filtration.





This 2019 Gevrey-Chambertin 1er Cru Les Combottes is an elegant and fresh medium-bodied wine. It displays a medium-intensity red ruby color with attractive reflections. The nose is ripe and fresh simultaneously, offering aromas of ripe blackcurrants and dark fruits mingling with floral and earthy nuances. The palate is elegant, medium-bodied yet complex and juicy, with good acidity and present yet integrated tannins, which add freshness and structure. The finish is quite lovely and earthy. Nicely done with a sublime expression of the terroir! 

Cheers! Santé! 

Dom

@ledomduvin #ledomduvin @domaineligniergeorges #georgeslignier #gevreychambertin #lescombottes #burgundy #wine #vin #vino #wein #sommelier #sommelierlife #sommlife #tastingnotes #ilovemyjob #lovewine



Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Wednesday, July 30, 2025

LeDomduVin: Champagne Bollinger R.D. 2008. What a mesmerizing champagne!




Champagne Bollinger R.D. 2008

What a mesmerizing champagne!



The history of Champagne Bollinger starts with an unlikely partnership between a French aristocrat, an ambitious German wine merchant, and a passionate local cellar master.

In 1829, Athanase de Villermont, an aristocrat who inherited a vineyard estate in Aÿ but was barred by his noble status from engaging in commercial trade, teamed up with Joseph Bollinger, a German wine merchant who brought his knowledge of international markets, and Paul Renaudin, a local Champagne expert who managed the cellars and winemaking process, to establish the house of Renaudin-Bollinger & Cie, which later became known as Bollinger.

Joseph Bollinger's expertise in international sales and Renaudin's winemaking skills fuelled the company's success, with Bollinger Champagnes becoming highly sought after by European royalty.

The following decades saw the expansion of the estate and the vineyards.

In 1837, Joseph Bollinger married Louise-Charlotte, Athanase’s daughter. His sons, Joseph and later Georges, eventually took over the business. Under their leadership, Bollinger gained fame and significantly expanded its vineyards.

In 1863, Phylloxera was first recorded in France. This pest devastated most wine regions until the early 20th century. Georges Bollinger led the effort to replant vineyards with American rootstocks to combat the phylloxera pest.

In 1920, Jacques Bollinger, Georges’ son, took over managing the family business and is credited with increasing Bollinger’s sales in England, primarily through the popularity of their Special Cuvée Brut. Jacques's wife, Elisabeth Bollinger, better known as “Madame Jacques,” stepped in to run the business after her husband died during World War II.

In 1950, Claude d’Hautefeuille, the husband of Madame Bollinger's niece, whom she had mentored in the company's operations, became Director and initiated a broad modernization effort that honoured Bollinger’s heritage. Madame Bollinger named him Chairman in 1971, but she stayed actively involved until her passing six years afterward.

In 1978, Christian Bizot, Madame Bollinger’s nephew, succeeded Claude as head of the House. An avid traveler, he actively engaged with sommeliers, restaurant owners, and wine merchants to share and promote the House’s wines during his journeys.

In 1994, Ghislain de Montgolfier, the great-great-grandson of founder Joseph Bollinger, became head of the House. He continued to strive to increase quality, in part by limiting production.

In 2008, Jérôme Philipon, a native of Champagne, was appointed as the new Chairman. Unusually, for the first time in the House's history, someone outside the family took on this role.

In 2017, Jérôme Philipon was appointed Deputy Chief Executive Officer of the family holding, and Charles-Armand de Belenet became General Manager of Champagne Bollinger. He is responsible for maintaining traditional craftsmanship while integrating the latest technologies.

Over the years, Bollinger has established its vineyards in the heart of the finest crus of Champagne. Champagne Bollinger’s 180 hectares of vines consist of 85% Grand and Premier crus, managed by their teams of growers across seven separate vineyards: Aÿ, Avenay, Tauxières, Louvois, and Verzenay for Pinot Noir; around the Montagne de Reims; Cuis for Chardonnay on the Côte des Blancs; and Champvoisy for Meunier in the Vallée de la Marne.

Another distinctive feature of Bollinger is the presence of two plots, Clos Saint-Jacques and Chaudes Terres, which have never been affected by phylloxera. These ungrafted vines are carefully maintained by hand and propagated through a layering method known as provignage. This approach helps preserve this remarkable heritage, which is used to produce the highly exclusive cuvée “Vieilles Vignes Françaises”.

The idea behind what would become “Bollinger R.D.” (which stands for “Récemment Dégorgé” in French, meaning "recently disgorged") was conceived in 1963. Madame Bollinger, along with her American agent, decided to sell a few bottles of “Réserve 1947”. 

Although they believed all their champagnes were of high quality and saw no need for a Special or Prestige cuvée, other Champagne houses had such offerings. Therefore, the goal was to compete with the “bouteilles spéciales” or “prestige cuvées” of other Champagne houses.

Madame Bollinger’s brilliant idea was to select an old vintage that was recently disgorged and dosed like an Extra Brut. The recent disgorgement ensures the wine's exceptional freshness and complexity.

In 1967, after some hesitation over the definitive name for the cuvée, Bollinger R.D. (Recently Disgorged) was finally chosen. Three vintages were released simultaneously: 1952 in the English market, 1953 in Switzerland and France, and 1955 in the United States and Italy. It was this vintage, followed by 1959, that established the cuvée's truly international reputation. And the rest is history!



Label of Champagne Bollinger R.D. 2008 (disgorged on October 28th, 2022) (*)

 

Champagne Bollinger R.D. 2008 Extra Brut (Disgorged December 9th, 2022) 


Bollinger R.D. Extra Brut 2008 is a beautiful vintage champagne with exceptional quality and complexity. It is a blend of 71% Pinot Noir and 29% Chardonnay, from a total of 18 crus, mostly Aÿ and Verzenay for Pinot Noir and Le Mesnil-sur-Oger and Cramant for Chardonnay. The fermentation occurred entirely in oak barrels. It was aged for about 14 years on its lees and released with a very low dosage at just 3 grams per litre (Extra Brut). The result is flamboyant, vibrant, flavorful, layered, rich, complex, ample, and structured, enhanced with great acidity, and developing brilliantly from the attack to the long, lingering finish. Loved it. 

This champagne is as mesmerizing as looking at the labels with these golden reflections, which I captured in the picture I've put as a header for this post. 


Cheers! Santé! 

Dom 

(*) NB: I could not find the label of the Cuvée disgorged on December 09, 2022, like in my picture. So, I put this one, disgorged on October 28th, 2022. Some larger formats, magnum and double-magnum, have been disgorged on November 17th, 2022. 

Sources: Info mostly taken and edited by and for www.ledomduvin.com courtesy of https://www.champagne-bollinger.com/en


@ledomduvin #ledomduvin @champagne_bollinger #bollinger #champagne #extrabrut #rd #wine #vin #vino #wein #sommelier #sommelierlife #sommlife #tastingnotes #ilovemyjob #lovewine #wineyearly


Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

LeDomduVin: Graham's LBV Port 2017 + Cuban Cigar


Graham's LBV Port 2017 + Cuban Cigar



What better idea than going to smoke a cigar with some port at @bertie.hk after dinner to celebrate a reunion with an old friend after not seeing each other for nearly a decade? 

Nothing! So that's what we did! 😁👍🍷 


The night began in a cocktail bar, @tellcamellia, a pretty standard place to go when you're with a renowned mixologist like @ericfossard. Nice place if you like enjoyable tea-based cocktails. 



Then we went to eat in a Korean restaurant at @jeonpo_meatshop. It was really fresh and tasty. 








And we ended up at @bertie.hk Cigar Club to smoke a recently rolled Torpedo Cuban cigar (@partagas_cigars, I believe).




It was great to catch up with my old friend Eric. The opportunities to see each other have been rare over the past 15-20 years, as we are on opposite sides of the world from each other.  He is based in France but travels all around the world, and I'm based in Hong Kong and rarely go back to France. That is why each meeting is precious, and good food, good cocktails, port, and cigars make for great memories and souvenirs.     







The aspect of the cigar was stunning: light wrapper, perfectly rolled, integrated veins, no nots or tightness, ideally moist. Apparently rolled by a retired old professional roller lady from Cuba, exclusively for Bertie HK. The cigar was delightful, fresh, and flavorful, medium-bodied yet rich and aromatic, making it very easy to smoke due to its perfect draw. Loved it. 





We paired it with a half-bottle of Graham's LBV Port 2017. Spawned from an exceptional vintage and matured for 5 years in oak, this is a delightful late bottled vintage port, with intense and concentrated flavors and a firm tannic structure, reflecting the ideal hot and dry growing season of 2017. It boasted ripe black fruit flavors, notes of kirsch and bitter chocolate, mingling with floral and herbal nuances that expanded nicely throughout the mid-palate and lingered in the finish. Loved it. 


Cheers! Santé! 

Dom

@ledomduvin #ledomduvin @grahams_port #grahams #grahamsport #port #wine #vin #vino #wein @bertie.hk #bertie #bertiehk #bertiecigar #cigar @jeonpo_meatshop #jeonpo #koreanfood #friend #friendship #reunion #sommelier #sommelierlife #sommlife #tastingnotes #ilovemyjob #lovewine



Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Monday, July 28, 2025

LeDomduVin: What’s up with the world?

 

Image courtesy of Animeandmore at redbubble.com edited by and for ledomduvin.com


What’s up with the world?



And I'm not talking about our planet Earth, I'm talking about us, humans. And I'm asking myself some basic but pertinent questions: Has the human world become more complicated, or did people become dumber, or am I getting too old? Probably all the above.

I mean, stop what you're doing for a minute, put your phone back in your pocket, and take the time to look around you for a minute or so. What do you see?  

Good attitude and politeness no longer exist. People no longer know how to speak intelligently or adequately, or even how to communicate with each other. Common sense and logic are neither common nor logical. Nothing makes much sense anymore, and everything seems controversial. There is no right or wrong; only the opinions of the strongest or the loudest matter, no matter whether it is true or false.  

People are in total denial. They no longer assume their words or actions. What was acceptable yesterday is no longer acceptable today. You have to be careful about what you say and how you say it, as anything can be used against you. What was previously free or came for free yesterday is no longer free today. For everything you previously wanted that was included in the price, you now need to subscribe and pay more to access it.

For everything that used to involve human skill and knowledge, time, and manual labor, the solution of automating and robotizing was supposed to reduce time, labor, and cost. Yet, it now costs even more than ever before. Worse still, it is nearly impossible to do things yourself anymore, such as repairing your car, etc...

And every day, examples of human stupidity and foolishness are so numerous that they have become the norm. And it no longer shocks anyone. Worse still, they have become so accustomed to it that people have incorporated it into their daily lives.

Stupidity is everywhere, and it no longer bothers anyone because most people themselves are oblivious to others and numb from their addiction to cell phones, apps, games, and social media.

The result: people no longer know how to speak, think, exchange, interact, or react with each other. No more critical thinking either. They no longer communicate, intimately, personally, or even professionally, living as if they were alone in the world, trapped in their own bubble, primarily interacting with a screen 24/7. Consequently, they have lost all sense of emotions, sensibility, sociability, social behaviors and attitudes, as well as their awareness of reality and their surroundings.

Most people are in a state of loneliness accompanied by solitude and depression, as they isolate themselves from the rest of the world, in their own heads, at work, at home, even when with family and friends. Most people now suffer from attention disorder, short attention span, difficulties concentrating, and even finishing daily targets and goals at work and in their own lives.

There is no longer any personal or social discipline. People do what they want and how they want (which is a good thing in a way), but unfortunately, they often fail to consider the responsibilities or the consequences of their thoughts and actions on others.

We can see it every day. The way people walk down the street, for example, without looking, without paying attention, glaring at their phones, often with a detached, nonchalant, even careless attitude, or, on the contrary, an angry, provocative, even aggressive attitude.

Gradually, over the last 15-20 years, and especially in the past 10 years, we have become a "zombie society" due to cell phone addiction, where people have become so engrossed in their smartphones that they appear detached, disengaged, and even unaware of their surroundings, much like zombies. This is fueled by the addictive nature of social media, mobile games, and constant connectivity offered by smartphones. Beware of smartphone zombies!

This world is definitely not the same one as the one I grew up in, back 40 to 50 years ago. In a way, yes, it was better before. Life was simpler and easier in so many ways. People still knew how to talk and communicate with each other, appreciate one another, be more respectful, and spend time together. No phones, no social media, no easy access to information and news, so less stress, less anxiety, and less time alone. 

It was a world where we were freer, with no real dependence or addiction on anything or anyone. Of course, this world had its share of problems as well (financial, economic, geopolitical, war, famine, violence, drugs, and alcohol, among others). Similar to nowadays. Yet, it seems different back then. 

It was a world where we could still think, speak, act, react, and share opinions with critical thinking, common sense, and adequate social behaviors, without immediately creating an argument or a quarrel, a fight, or worse. I mean, sure, violence and insecurity existed back then, too. But not at the current level, it seems. 

Moreover, it was a world where we could still laugh at anything and anyone without fear of hurting someone else or being judged or ridiculed on Social Media. A world where we were dancing and singing and acting the way we wanted, without care of being caught or judged, because, as we say in French, "Le ridicule ne tue pas!" (ridicule doesn't kill). Where did all these go? Nowadays, everything is recorded, one way or another, and posted on social media or other platforms, resulting in a deluge of nasty comments from anonymous people acting behind their screens.   

And yes, although I embrace the future, the changes that come with each generations, and the advance of techniques and technologies, and try to live my life in the present, I’m still nostalgic about this past where everyone had to use their brains, intelligence, skills, know-how, imagination, creativity, and ambition to reach and concretise their dreams. 

Not like nowadays, where everything and anything is accessible to everyone and anyone, and is as easy as a simple “cut and paste” or a "prompt". Worse still, nowadays, computer algorithms and artificial intelligence are doing pretty much everything for you, without you having to do anything. Where is the fun in that? 

It takes away your cognition, referring to the mental processes involved in acquiring knowledge and understanding through thoughts, experiences, and the senses. It gradually erases a wide range of your abilities, like thinking, learning, remembering, perceiving, and using judgment. It annihilates the way you process information and interact with the world around you. It inhibits your cognitive faculties, encompassing the mental processes of thinking, learning, and understanding. It essentially prevents your ability to process information, form concepts, have discernment, make decisions, and make judgments.  


That's why many of us, especially those between 45 and 55 years old, around my age, are so nostalgic about that time, growing up in the 1970s, 80s, and 90s. And I don't think that we are the only ones. Even younger generations, who did not live through these decades, are somewhat searching to revisit or even recreate these years.  

I see it with the generation of my kids, Gen Z. They are trying to go back in time: clothes, music, fashions, modes, cars, even games, movies, and TV shows. Why? Because it was more authentic, more real, more "analog" as we say, less "digital" or "virtual". It had more energy, vibrancy, and depth. It had more meaning. It was real and happening in real life, with real people and real characters who made mistakes and had flaws. It was more human, less computerized. It was not a perfect world, and it was not trying to be either.  

The latest trend I've noticed on social media is a return to the past. Dressing like in the 90s. Having cellphones that are not smartphones, for the convenience of making and receiving calls and messages without the distractions of other apps. Use an MP3 music player instead of relying on apps on their phone. Listening to more analog sounds with vinyls and even cassettes. Taking pictures with old cameras, which use mirrors and film rather than digital cameras, because they offer a more natural and distinct experience compared to using digital cameras nowadays, which are often automatically enhanced with AI and rarely deliver the desired results, etc. 

Not everything was easier back then, but some things definitely were. As we say in French: "C'etait le temps de l'insouciance!" A time of carefree happiness. A period of my youth, from my childhood to my young adult years. A state of mind characterized by a lack of worry and a joyful, lighthearted attitude. Those were good times! From which I still cherish many memories (and try to recall only the best ones).   

That said, I could continue writing many pages on the subject, but I will stop here for today, as I do not want to burden you further with these things that you can also observe in your everyday life. 

To resume and answer the questions in the header of this post, I would like to say: Yes, the world is more complicated and complex than it was before during my youth. Yes, in my opinion, people are getting dumber, and I witness it countless times every day. And, yes, I'm getting old too, as I rant about the state of the world today and feel nostalgic about a past that will soon be history. The world is changing from one generation to the next; that's just the natural path of life and the passage of time.  

As long as we make the best of it while living it, the rest does not matter!       

Cheers! Santé!

Dom 

@ledomduvin #ledomduvin #whatsupwiththeworld #thinking #reflections #critcalthinking #thinkingoutloud #visionoftheworld #sharingvisions #pointofview #pointofviews #memories #souvenirs #past #present #future #smartphone #smartphonezombies


Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).


Thursday, July 24, 2025

LeDomduVin: Underestimated Vieux Château Certan Pomerol 2014



Underestimated Vieux Château Certan 

Pomerol 2014



Why underestimated? VCC 2014 now delivers more than it did a few years ago since its release. And that’s often the case for lesser Bordeaux vintages. 

The 2014 vintage experienced a challenging growing season, characterized by a mild winter and a summer that alternated between heat spikes and periods of cool, rainy weather. Consequently, the vintage is known for its uneven quality, with some estates producing some good wines while others struggled. 

As they like to say in Bordeaux, the resulting wines are more “traditional”, more “classic”, meaning that they are usually a bit more austere, leaner, and offering less complexity, texture, substance, and structure than celebrated vintages such as 2000, 2005, 2009, 2010, 2015, 2016, etc… 
 
I’m usually the first to be hesitant about buying lesser Bordeaux vintages. As a Sommelier and Wine Buyer, I mostly purchase good to outstanding vintages in search of the “Wow!” factor and immediate customer satisfaction, rather than spending time explaining to my customers why a lesser vintage can also be good, considering blah, blah, blah.

Moreover, most restaurants and sommeliers offer lesser vintages on their wine lists to capitalize on the name and give customers the impression that they are buying a good wine, while it is a lesser vintage.

This allows them to increase the margin and maximize profit, despite the wine not being of high quality. Yet, because it is a well-recognized brand, people easily fall into the trap. 

Recently, I noticed that some wine lists are selling Bordeaux 2011, 2013, and 2017, which are average vintages, at prices comparable to those of better vintages. It is a scam.

I have never done that in my entire 33-year career, and I have always refused to do it; it gives a bad image and reputation to both the restaurant and the Sommelier.

Yet, I’m also the first to be willing to retry lesser vintages a few years later to check on their evolution and whether their taste has improved for the better. This is the case for the Vieux Chateau Certan 2014.  

Although Vieux Chateau Certan is one of my favorite Bordeaux wines, and I have always been pleased with most vintages I've tasted, I admit that I was not very fond of the 2014 vintage when I tasted it a few years ago. I found it hard and dry, austere and tannic, and closed.  

Yet, I decided to give it another chance a few weeks ago by selecting it for a private dinner, and I was both pleasantly surprised and satisfied. It was a gamble, as I hadn't tasted it in a few years, and it could have turned out worse. 

Yet, it is rarely the case with Vieux Chateau Certan, as it is one of those wines that usually improves with time and rewards those patient enough to wait for it (like Haut-Brion, which is another favorite of mine and an excellent example of a wine with outstanding ageing potential that develops for the better with time).    

Moreover, a Sommelier/Wine Buyer needs to taste and re-taste lesser vintages, not only to check the evolution of the wine, but also to eliminate their "a priori" expectations about the wine, especially if it has improved. One has to admit when they are wrong. Only idiots don't change their minds and stick stubbornly to their preconceived ideas. How can you assume a lesser vintage wine has not evolved and remained the same if you haven't tried it again? 

It is perhaps a characteristic of Bordeaux wines, but even lesser vintages can improve with age and become surprisingly good after a few years, making them worth revisiting.    





Vieux Château Certan Pomerol Bordeaux 2014


The estate's history begins with the Demay family, who were wine merchants in Bordeaux. Early records indicate that the property has been in existence since at least the mid-1700s. The wines were initially sold under the name Sertani.

The estate's name changed over time, and by the late 18th century, it was listed as "Sertan" on the Belleyme Map. In the 19th century, Charles de Bousquet, a banker, bought the estate and led major renovations, including the construction of the iconic tower, which became a symbol of its prominence.

In 1924, Georges Thienpont, a Belgian wine merchant, purchased Vieux Château Certan. The Thienpont family has remained the owners ever since, with Alexandre Thienpont currently managing the estate. In 1979, Marcel and Gérard Thienpont, part of the family, founded the nearby micro-cuvée estate, Château Le Pin.

I had the opportunity to meet Alexandre Thienpont and visit the estate, as well as taste the wines, during the En Primeur campaigns in the mid-to-late-2000s.

In France, it is often said that the wine resembles its maker, and that is precisely the case for Vieux Château Certan. Alexandre Thienpont is a bright, intelligent, highly knowledgeable, and skilled individual. Yet, he is a gentle, timid, and reserved person who only warms up and becomes much more approachable and personable when he feels comfortable with you.

Vieux Chateau Certan is the same, especially in lesser vintages; it needs time to develop and adapt to the environment and service conditions before delivering its full potential. Once opened, it is a suave and silky wine, rich, layered, and complex, precise and focused, almost intellectual, with excellent balance, texture, and structure. I love it.

The 14-acre vineyard is planted with a mix of Merlot, Cabernet Franc, and a small percentage of Cabernet Sauvignon, a classic blend of Pomerol. The estate's winemaking practices emphasize careful attention to detail and a focus on achieving optimal ripeness and balance in the grapes.

Vieux Château Certan is recognized as one of Pomerol's oldest and most esteemed estates, producing wines renowned for their elegance, complexity, and exceptional aging potential.

 
A blend of 80% Merlot, 19% Cabernet Franc, and 1% Cabernet Sauvignon, Vieux Château Certan 2014 showcases a beautiful interplay of freshness and fruit character. Surprisingly, it is now much more open than it was a few years ago. It offers exquisite aromas of blackberry and wild strawberry, mingling with floral and stony nuances, as well as earthy notes of rose petals, clove, and truffle. The palate is medium-bodied, with crisp acidity and fine tannins (more integrated than in recent years), offering a slightly masculine yet sophisticated character. Linear and precise, with a harmonious balance between freshness and roundness, while possessing excellent texture and structure. The finish is lingering and mineral-driven, with that "je ne sais quoi" of earthy energy characteristic of VCC wines. Love it. 

While enjoyable now, it might improve even more with further aging. I will definitely revisit it in a few years to see if I was right.   


Cheers! Santé!

Dom

@ledomduvin #ledomduvin @vieuxchateaucertan #vieuxchateaucertan #pomerol #bordeaux #wine #vin #vino #wein #sommelier #sommelierlife #sommlife #tastingnotes #ilovemyjob #lovewine


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Monday, July 14, 2025

LeDomduVin: Classics in my book!




Classics in my book!



Mise en place for dinner, these have been staples in my recent selections. Love them all! 

The other day, I served the following wines for a private dinner, and they showed beautifully.   

I titled this post "Classics in my book!" because, over the past 2-3 years, I've had the pleasure of serving these wines numerous times. Moreover, they are classics of their appellations, too.  

Dom Perignon "Plenitude 2" is always a good reference in Champagne, and although the vintage 2003 is not my favorite, it still remains a very good champagne.  

For Fontaine-Gagnard, I was talking with a fellow sommelier who told me that, for him, it’s a producer he likes to include on his wine list but wouldn’t buy for his own consumption. He said that he found the style too classic, Burgundy. Well, it's fine, why not? 

Yet, I replied that this is precisely why I love Fontaine-Gagnard. Their wines are always very approachable and well-balanced. Not too extracted, with a good amount of oak but not overly oaked, fruit-forward but not overripe, and usually enhanced by excellent acidity and minerality. This makes them very accessible and enjoyable to drink, and easy to pair with food.  

As for Perrot-Minot NSG 1er Cru "La Richemone", it is a beautiful wine, more modern in style than the classic Nuits-Saint-Georges, complex, rich and ample, yet soft and silky, with a gentle texture expanding nicely in the palate toward the long velvety finish.    




Out of the 4 prepared wines, I only opened 3. I always come ready with an extra bottle, as you never know. Yet, that night, we didn't need it. Shame, as I would have loved to open this bottle of Chateau Haut-Brion 2008.  





Dom Perignon "Plénitude 2" Champagne Brut Vintage 2003


DP P2 2003 is a rich champagne that lacks some acidity and minerality, resulting in a less bright and somewhat flabby profile. It is not bad, but it unfortunately reflects the poor quality of the 2003 vintage, which was affected by a significant heat wave during the summer months. It was deemed the hottest summer recorded in Europe since at least 1540. Consequently, the resulting champagne shows taste, texture, and structure unworthy of the price and usual quality of "Plenitude 2" (IMO). And I usually love P2, it is consistently one of my go-to Champagnes when I make a selection for a dinner, but this vintage was pretty disappointing.  Too bad.   





Fontaine-Gagnard Batard-Montrachet Grand Cru Burgundy 2020


A classic in my book, because the few bottles I recently opened were stunning, despite being a bit light, but still delightful, and this one was too. 

Beyond its pale yellow color, the nose was light, fresh, elegant, mineral, zesty, and citrusy. At first, slightly restrained, the palate slowly opened, revealing a fresh, dry, mineral texture, good density, lots of lemony flavors, sharp acidity, and lightly toasted, oaky nuances. Delightful, even if a bit light to my palate for a Batard-Montrachet. I would have loved to see a bit more substance and depth. Yet, it might benefit from a few more years in the cellar. 

As my colleague Sommelier said that night, Fontaine-Gagnard is usually a more classic style of Burgundy. And, in fact, that's what I like about Fontaine-Gagnard: it is never over-the-top, but consistently well-crafted and balanced. It is neither too light nor too heavy, neither overripe nor overextracted, with enjoyable oak ageing nuances, but not overly oaky, toasted, or buttery either.     





Perrot-Minot Nuits-Saint-Georges 1er Cru "La Richemone" Vignes Centenaires Burgundy 2018


With only 2,551 bottles produced, it is a rare wine, and I was fortunate to find nine bottles of it a few years ago.  I bought them right away, as this is a delicious, forward, ample, rich, complex, and enticing wine.  For a wine made from century-old vines, it exhibits a remarkably modern, youthful, and fruit-forward palate, with a reasonably long finish. Dark cherry and raspberry aromas mingling with warm, earthy, and oaky nuances. I love it. A must-try for those who have never done it before.           

The only problem is that I opened it about 1 hour before serving it and realized it did not need that long, as it tamed down and was much less expressive than right after the opening. Opening it 15 minutes before serving it should have sufficed, as it would have opened up in the glass anyway. Lesson learnt the hard way. Fortunately, I have the principle of never decanting Burgundy wines; otherwise, too much air might have damaged it even more. 





Chateau Haut-Brion Premier Grand Cru Classé Péssac-Léognan Bordeaux 2008


Although I did not open that bottle for dinner that night, Haut-Brion 2008 is a beautiful wine that has aged gracefully and is even better now than it was 10 years ago. I will describe it the next time I have an opportunity to taste and serve it.    



Cheers! Santé!

Dom 

@ledomduvin #ledomduvin #wine #vin #vino #wein @domperignonofficial #domperignon #plenitude @celinefontainegagnard #fontainegagnard #batardmontrachet @domaineperrotminot #perrotminot #nuitssaintgeorges #larichemone #vignescentenaires @chateauhautbrion_ #hautbrion #pessacleognan #bordeaux #miseenplace #sommelier #sommelierlife #sommlife #ilovemyjob #lovewine 



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Friday, July 11, 2025

LeDomduVin: Thank you to all of you !!! - LeDomduVin is number 93 on FeedSpot's 100 Best Wine Blogs 2025

 



Thank you to all of you !!! 

LeDomduVin is number 93 on 

FeedSpot's 100 Best Wine Blogs 2025



As I do once a year, I just checked the position of my wine blog among the various listings of the best wine blogs on the internet, and I just realized that I was back in the Top 100 Best Wine Blogs on FeedSpot, ranking at 93, which is fantastic.  

Over the past few years, LeDomduVin.com has attracted a lot of attention, and the number of readers has increased significantly. A few weeks ago, my blog exceeded an impressive 45,000 views per week. And now, I am back in the Top 100 on the FeedSpot list

That's amazing, and it's all because of you, my readers. I cannot thank you enough for your support and the motivation it provides me to continue writing and sharing my passion and knowledge about wine with all of you. So, for that, THANK YOU to YOU ALL !!!  You are truly amazing! 

FeedSpot's 100 Best Wine Blogs are selected from thousands of online blogs and ranked by relevance, authority, social media followers, and freshness. It means the world to me to be included in this list, as I have dedicated my heart and effort to this blog for the past 17 years. 

The ranking of these 100 Best Wine Blogs is updated regularly and therefore fluctuates frequently. That means if I check again in a few weeks, the ranking might have changed to 95 or 75, who knows? 

Yet, today my ranking is 93, and I am really happy about it. Especially since I am just a humble, old sommelier and wine buyer, not a wine personality, critic, winemaker, magazine, importer/distributor, etc., like most of the other people on that list who are well-known and well-regarded figures in the wine world.   

My blog is my hobby because I love wine and enjoy writing about it. I write only when I have free time, occasionally and sporadically. Seeing that it can attract so much interest from all of you makes my blog and its success even more meaningful to me. 

So, again, THANK YOU ALL !!! for your interest in my blog and for taking the time to read my posts, you've made my day! Merci!

And thank you to FeedSpot, too! 

Cheers! Sante!

Dom (aka LeDomduVin aka Dominique Noel)     



If you're interested in checking who's on that list, here is the link to FeedSpot's Top 100 Wine Blogs 2025:  https://bloggers.feedspot.com/wine_blogs/ 


@ledomduvin #ledomduvin #wine #vin #vino #wein #thankyou #merci @feedspot @feedspotdotcom #feedspot #bestwineblogs #top100bestwineblogs #wineblogslist #blogger #wineblog #wineblogger #sommelier #sommelierlife #sommlife #ilovemyjob #lovewine


Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).

Wednesday, July 2, 2025

LeDomduVin: Chateau Haut-Bailly Pessac-Leognan Bordeaux 2010

 



Chateau Haut-Bailly Pessac-Léognan 

Bordeaux 2010 


I remember when Château Haut-Bailly was purchased by Robert (Bob) G. Wilmers in 1998. 

I was a young sommelier newly arrived in London. I read in the specialized press that Jean Sanders, the grandfather of Véronique Sanders, had sold Haut-Bailly to the Wilmers, a Francophile American banker and his French wife, who entrusted Jean and Véronique with managing the property. 

Daniel Sanders, from Lille and of Belgian descent, purchased the Chateau in 1955. His son, Jean Sanders, took over in 1979, and his granddaughter, Veronique Sanders, joined Haut-Bailly in 1997. In 2000, Veronique became the CEO of Haut-Bailly after her grandfather Jean Sanders retired.   

Although Haut-Bailly was well regarded in the late 1990s and early 2000s, it was not fully leveraging its potential and needed a renaissance. This purchase, along with improvements in winemaking practices and a renewed focus on quality at the estate, combined with Bob's 'spare no expenses' mentality and Veronique's vision, dedication, and ambitions, are often cited as the main reasons for its revival, increased recognition, and popularity. 

In the early 2000s, Château Haut-Bailly underwent a complete renovation and modernization of its cellars. This project was part of a broader effort to improve the quality of their wines after the estate was purchased by Robert G. Wilmers (known as Bob). The cellar upgrades were made to help produce the best wines possible. 

The cellar restoration was accompanied by significant changes to the vineyard. These involved green harvesting to remove underripe grapes and multiple harvesting passes to achieve optimal ripeness. Oenologist Gabriel Vialard joined the team in 2002 to further enhance the winemaking process. 

At that time, I had never visited Haut-Bailly, but I was familiar with the wine, having purchased and sold numerous bottles in various restaurants where I worked in France (1992-1997) and London (1997-2002). Since I loved their wine, I had always promised myself I would pay them a visit someday. 

In 2002, after five incredible years in London, I moved to New York and began working at www.PJWine.com, owned by Peter Yi, one of the largest and most successful wine and spirits retail stores in Manhattan at the time. 

Peter enjoyed traveling to Bordeaux and Spain every year for about 10-12 days (about 7-8 days in Bordeaux + 3-4 days in Spain) during the "En Primeur" period (around mid-April), with part of his team, to taste wines and plan future purchases. 

For five years, from 2002 to 2007, I planned and scheduled these trips in advance by booking visits to the châteaux, making appointments with various négociants, as well as participating to most of the "En Primeur" tastings, such as the "Cru Bourgeois" and the prestigious "Union des Grands Crus" (including booking all the hotels and restaurants in the various appelations and regions we visited). 

Besides working as a wine consultant (then wine director) and one of the wine buyers at his retail store and for the website, I also served as a PA and chauffeur during our travels. Every day, I drove the team from 8am until late at night, visiting 2-3 châteaux in the morning, then having lunch at a restaurant, a château, or with a négociant. The afternoons included more château visits or tastings, and we ended the day with dinner at a restaurant, a château, or with a négociant. Afterwards, we returned to our hotel or the château hosting us, such as Pichon Baron, where we had the opportunity to stay several years in a row. These were full days with busy schedules, as Peter aimed to maximize each day.  

It was a tough job, with extended hours, seven days a week, but it was worth it, and I loved every minute of it. Because, besides tasting, buying, and selling some of the most prestigious wines in the world, who wouldn't enjoy traveling to regions where they're produced to taste them at the property with the owners and/or the winemakers and having lunch and dinner at some of the best Chateaux and restaurants in Bordeaux, the Basque region, and Spain? 

I will always be grateful to Peter Yi, as he offered me the opportunity to do all that and so much more. Interestingly, we both had a certain character and often clashed. He, being Korean American, and I, being French and very opinionated, I guess he saw me as arrogant and annoying. 😅😅😅

And yet, he appreciated the job I was doing for him and saw added value in me. And although he told me every day that he would fire me, he kept me by his side and under his wing for five years. It was more like one of those love-hate relationships between employer and employee, and it always ended with sharing some food and a glass of wine and laughing with the rest of the team at the back of the store. 😉👍🍷    

In April 2003, we took our first trip together as a team to Bordeaux. Every day, we had a full schedule visiting properties in various appellations. For Pessac-Leognan, aside from Châteaux such as Haut-Brion, Pape Clément, Carbonnieux, Smith-Haut-Lafitte, and Domaine de Chevalier, I had also arranged a visit to Château Haut-Bailly. 

It was a beautiful day. We were driving around Pessac-Leognan after visiting a few other Châteaux in the area when we finally arrived at Château Haut-Bailly. 

We were greeted by Véronique Sanders and Robert G. Wilmers, who were having a conversation near the Chateau entrance. Véronique showed us around the property and the cellar before guiding us into a small room by the cellar to taste the wines, the Grand Vin "Chateau Haut-Bailly" and the 2nd wine "La Parde de Haut-Bailly."    

While tasting the wines, we asked her a few questions about the differences and transition between her family and Bob Wilmers, who now owned the estate. She told us she was heartbroken at first when her grandfather decided to sell the property. Yet, she was also very excited and pleased, as the purchase had brought about changes, new perspectives, and improved practices in vineyard and cellar management, along with all the benefits that came with them. It was a change for the better.  

Appointed as CEO a few years earlier, both the estate and Véronique were in capable hands, looking toward a bright future. It's never easy to work with new owners when it was once your family property. Still, Bob was dedicated and passionate, and by keeping Véronique on his team, he preserved part of the family history and legacy.       

We were tasting "barrel samples" of the 2002 vintage, a difficult vintage often referred to as "classic" or "traditional," as they say in Bordeaux. In fact, it was definitely not one of the best. The wines we tasted so far were lean and often showed underripeness, high acidity, and green, astringent tannins. Although some good wines were made in the Médoc, most of the wines from Pessac-Léognan, and especially the Merlot-based wines of the Right Bank, showed less body, less substance, and more greenness.     

That said, I was surprised by the fleshiness and juiciness of the 2002 Haut-Bailly wines we were tasting, especially considering the high percentage of Merlot in the blend (35%) of the Grand Vin. 

Were the barrel samples selected for the "En Primeur" based on their quality rather than being truly representative of the vintage? (as it was common practice back then, but then again, there's nothing wrong with showing the best samples when presenting your wine to buyers from around the world to ensure sales during the "En Primeur" tasting...) 

Or was it because we were tasting them at the property, which usually imparts or even influences your judgment on the true quality of the wine? (difficult to criticize a wine when in the presence of the owner or the winemaker...)

I couldn't say... However, these were good compared to many of the other wines we tasted during that trip. In the end, it made that visit to Haut-Bailly even more memorable. And we ended up buying quite a few cases "En Primeur".   

In the following years, we visited Haut-Bailly several times during the En Primeur, always with the same enthusiasm. We were consistently welcomed by Veronique or Gabriel Vialard. We truly witnessed the wines and the estate improve from one year to the next.  

In 2007, after five great years where I learned much more than I expected, I left PJWine.com and Peter Yi to work for a smaller store in Brooklyn Heights called "Heights Chateau" to slow down the pace and have more time for my family, especially since my son was only one year old and I wanted to spend more time with him. 

Since my last visit to Haut-Bailly in the mid-2000s, I haven't had the chance to return there for various reasons. However, over the years, I was able to continue witnessing the evolution of Haut-Bailly through the "Union des Grands Crus" (UGCB) tastings.  

In 2011, I moved to Hong Kong, where I continued sourcing, buying, tasting, and serving Haut-Bailly, as it became a staple of my selections over time. I also continue to taste it every year at the UGCB tastings.  

In 2012, Robert G. Wilmers acquired the neighboring property, Chateau Le Pape, also located within the Pessac-Leognan appellation.  

In July 2017, an ambitious project for a new cellar, designed by architect Daniel Romeo, was presented to Bob Wilmers, who approved it immediately. Unfortunately, Bob passed away in December of that same year, and his son, Chris, inherited the property. The project commenced in 2018 and was completed within two years (by the end of 2020).   

In 2021, the new cellar was inaugurated. A state-of-the-art facility that blends seamlessly with the surrounding landscape. It features a curved, streamlined design with a suspended garden and has received excellent HQE certification for its environmental sustainability. The cellar utilizes high-precision technical equipment and is designed to adapt to climate change, allowing for more precise and elegant winemaking. It marked a new era, enabling them to make even better wines than before. 

In 2022, the vineyards expanded in size following the merger of the vines from Château Le Pape into Château Haut-Bailly, making 2021 the last vintage produced under the Château Le Pape label.  

Today, Chris Wilmers and Veronique Sanders continue to focus on making the finest wine possible at Chateau Haut-Bailly, which is regarded as one of the best in its appellation and in Bordeaux overall.  







Chateau Haut-Bailly Pessac-Leognan Bordeaux 2010


A blend of 62% Cabernet Sauvignon, 36% Merlot, and 2% Cabernet Franc, Haut-Bailly 2010 remains vibrant and lively even after 15 years, and is likely to continue doing so for many more years to come. The 2010 vintage in Bordeaux was a promise of quality and concentration, thanks to July, which was hot and sunny, resulting in water stress that halted plant growth and led to better concentration and ripeness in smaller grapes. The contrasting cool night brought balance and freshness. Attentive winemaking, including precise harvesting and gentle extraction with controlled fermentation temperatures (around 26°C to prevent high alcohol content), was key to producing an exceptional wine.  

The resulting wine is quite dense, rich, and even powerful, with good ageing potential still remaining. Beyond its dark, opaque color, it offers enticing notes of dark fruit and blackberry, mingling with secondary and tertiary aromas. The palate is condensed and textured, with a complex structure, enhanced by enough acidity to keep it fresh and balanced. The finish is long, generous, and earthy. What a wine!  

I was hesitant to decant it that night for that dinner, but I should have as it would have undoubtedly benefited from it. Fortunately, I opened it more than an hour before serving it. 

My advice: buy a few bottles, drink one now to taste it, and keep the others in your cellar for a while, if you have the patience to do so. 😄👍🍷 


Cheers! Santé!

Dom


@ledomduvin #ledomduvin #wine #vin #vino #wein @chateauhautbailly #hautbailly #pessacleognan #bordeaux #sommelier #sommelierlife #sommlife #tastingnotes #ilovemyjob #lovewine




Unless stated otherwise, all rights reserved ©LeDomduVin 2025, on all the contents above including, but not limited to, photos, pictures, drawings, illustrations, collages, visuals, maps, memes, posts, texts, writings, quotes, notes, tasting notes, descriptions, wine descriptions, definitions, recipes, graphs, tables, and even music and video (when and where applicable).